Throughout the pioneering events of Band Aid, Live Aid and Live 8, Bob Geldof has repeatedly achieved the impossible, twisting the arms and consciences of self-absorbed rock stars to get them to think beyond their egos and stimulating recalcitrant politicians and a jaded media into doing things that are not really difficult at all but thinking makes them so.
With his upcoming concert in Poulaphouca marking his solo Irish debut, it's been all too easy in the recent past to overlook Bob Geldof's standing as a musical and lyrical artist. The lines connecting the youthful Dun Laoghaire blues and Dylan aficionado with the creator of The Vegetarians Of Love are rarely traced in media-bytes that prefer to concentrate on Modest Bob, Live Aid Bob and Saint Bob. Here, Bill Graham, who knew the schoolboy, takes musician Bob on a freewheeling trip from then to now.
With his upcoming concert in Poulaphouca marking his solo Irish debut, it's been all too easy in the recent past to overlook Bob Geldof's standing as a musical and lyrical artist. The lines connecting the youthful Dun Laoghaire blues and Dylan aficionado with the creator of The Vegetarians Of Love are rarely traced in media-bytes that prefer to concentrate on Modest Bob, Live Aid Bob and Saint Bob. Here, Bill Graham, who knew the schoolboy, takes musician Bob on a freewheeling trip from then to now.
With his upcoming concert in Poulaphouca marking his solo Irish debut, it s been all too easy in the recent past to overlook Bob Geldof s standing as a musical and lyrical artist. The lines connecting the youthful Dun Laoghaire blues and Dylan aficionado with the creator of The Vegetarians Of Love are rarely traced in media-bytes that prefer to concentrate on Modest Bob, Live Aid Bob and Saint Bob. Here, Bill Graham, who knew the schoolboy, takes musician Bob on a freewheeling trip from then to now.
Saturday, July 13th, 1985 will go down in history as Live Aid Day, the extraordinary culmination of Bob Geldof's attempts to mobilise the international music industry behind urgently-needed famine relief in Africa. Among the stellar cast performing for 72,000 people at Wembley Stadium, London are U2, a band determined to rise to the occasion. Report: Neil McCormick
STUART BAILIE recalls some of the social and political movements that have occupied U2's hearts and minds down through the years... not least, the Springfield Garbage Dump campaign
Casting a cold eye on 1986, one must be frank that, although it was a good year, the absolute pinnacles that have marked previous years were absent. Perhaps ‘The Unforgettable Fire’ and ‘Born In The USA’, and their respective tours in 1985, not to mention Live Aid, drained a lot of emotion.
The Frames and David Kitt are the latest additions to the Hot Press Irish Music Awards bill. And with TV3 as well as BBC NI broadcasting it & a potential audience of 20 million, it's a good job we've no less than ex-Live Aid director David Croft at the helm
With the launch of a commemorative series of Irish postage stamps celebrating four of the nation's most important rock legends, we revisit some of the seminal moments in the careers of Phil Lynott, Rory Gallagher, Van Morrison and - first - U2
In a presidential nomination field virtually devoid of candidates of real calibre and charisma, the name of ex-Boomtown Rat and Live Aid hero BOB GELDOF has cropped up again and again. Despite his outright denial that he will run for office, the rumour refuses to die away. Here, in an interview with LIAM FAY, he gives his assessment of Mary Robinson s seven years in the job, and his hopes for the future occupants of Aras an Uachtarain.
He’s jammed with Bob Dylan, partied with Keith Moon, sued The Byrds, traded spiky tops with Rod Stewart, had close encounters with Presleys Reg and Elvis and played "name that key" with John Lee Hooker, but arguably the best moment in his life was when he was named small breeder of the year. RON WOOD, the man who would be the queen mum of rock 'n' roll, tells a mean tale.
Words: STUART CLARK. Pictures ROGER WOOLMAN
Recipient of the IRMA Honours Awars of 2006, celebrating 30 years of music.
Here we document the stories, sounds, politics and philosophies that have developed with Bob Geldof, from his Boomtown Rats days to his most famous status as a devoted humanitarian.
Recorded in Slane Castle in Co. Meath, this was the first U2 album on which the quartet used the studio as brush rather than canvas, with results that were often dense and impressionistic: the majestic title track, the fractious punk-funk of ‘Wire’, the slow motion fireworks of ‘MLK’ and ‘Bad’.
Found this in the Guardian, tucked away anonymously, page 29, Sept. 19th:
Goodbye Elton John,
though we never liked you all that much,
You inspired Diana,
even though you were hardly butch
And it seemed to me
you lived your life
like a candle in the wind,
your hair never knowing what to cling to
When the rain set in.
And though we would have liked
to love you,
It would be a great big fib.
Your talent burned out long before
Your chutzpah ever did.
’85 was a remarkably stagnant year. Twelve months after the end of ’84, little seems to have changed or advanced musically and I only hope and pray we won’t be running on the same spot when ’86 ends.
U2 frontman speaks about "the biggest pandemic since the bubonic plague" and urges middle America to use their nation's huge financial power and get involved. "Our age will be remembered," he says, "for three things: the war against terror, the Internet, and how we let an entire continent burst into flames and stood around with water in cans"
Released in May 1987, The Joshua Tree propelled the band out of arenas and into the stadia, topping the Billboard chart and spawning a triptych of monster singles, beginning with the bittersweet slow burner ‘With Or Without You’.
Defiantly working class and staunchly political, The Blades stood apart from almost every other Dublin outfit that stalked the over-blown 1980’s rawk landscape.
As well as enabling us to use a painful Usual Suspects pun, catching up with the Kaiser Chiefs at Oxegen meant we could quiz them about U2, Live 8 and becoming filthy rich rock stars
Rolling Thunder finds Dylan and his travelling minstrel band reveling in novelty, comradeship, a sense of the mischievous and, most tellingly, the freshness of the then newly released Desire album.
TOM ROBINSON (Whelan's, Dublin)
MR. ROBINSON alights onstage with a sartorial inelegance that not many would manage to pull off, though he, of course, does - with aplomb.
Awards by the dozen, celebrities wall-to-wall, gobsmacking world exclusives and of course, great music: it can only be the Hot Press Irish Music Awards. Only 24 hours to go - here's how it's all shaping up
Perennial chart favourites of the early to mid ‘80s, Madness remain adored by their fans. Flying trumpeter Chas Smash explains why he wouldn’t change a thing.
1985 has got to remember as the year when one of the most spoiled, wasteful, self-indulgent and ephemeral industries on earth suddenly woke up, not only to the urgent insistence of its conscience within the person of Bob Geldof, but to its power to actually achieve something, (to raise money and thereby save lives), given the right motivation and mechanism.
Bob Geldof recently received the freedom of the city of Dublin. But three decades ago, when Geldof first crashed the Irish entertainment scene, with his band, The Boomtown Rats, he was a thorn in the side of both politicians and priests in a notoriously conservative country.
Instead of trying to be self-consciously cutting edge, Bowie spends most of his 26th studio album belting out orthodox rock ‘n’ roll songs with a band that includes long-time friend, producer and vibemaster Tony Visconti.
He was the man whose evidence put a huge hole in the stern of Pirate Bay, in a landmark judgement in Sweden earlier this year. Now the CEO and Chairman of the International Federation of Phonographic Industries, John Kennedy, is set to speak at The Music Show, which takes place on October 3 and 4, at the RDS in Dublin. He will speak on the issue of illegal downloading and the threat it represents to the Music Industry, which is currently undergoing massive changes as a result of the impact of the internet. The Music Show is run by Hot Press magazine.
Hard rocking Cork heroes Rulers Of The Planet recently toured the Czech Republic and Slovakia, along with Dublin electro-poppers Autamata. The Rulers’ Mick Hayes gives us the backstage lowdown, with these exclusive extracts from his tour diary.
If Mel Gibson’s The Passion of The Christ is to be true to the bible then it has no alternative to be anti-semitic. Plus: why Sir Bob and Bono are on the wrong side.
Knock-knock, who’s there? It’s only Jackie Hayden, making another of his house calls. This time the door is opened by Cork’s Red FM presenter Martina O’Donoghue.
Foo Fighters’ sixth studio album is a transitional rather than definitive piece of work, but one that sees them growing older with 'patience and grace'.
On 25 August 2001 - twenty years after first appearing there in support to Thin Lizzy - U2 play Slane Castle. NIALL STOKES reflects on the extraordinary journey that has led up to this historic, and beautiful, day
‘That’s entertainment’ was the message of the year but not as Paul Weller intended it, for in 1986 popular music was closer to mass entertainment as Declan McManus’ pater knew it than any year since Elvis Presley swivelled his hips on the Ed Sullivan show.
‘Looking after number one’ was the record that kick started Ireland’s passage toward punk, and the man who penned it is still vitriolic about the time and place that inspired the song.
In what may well be the most effective marriage yet of rock and pragmatic politics, U2, Sting, Peter Gabriel, Lou Reed and others are pushing the Amnesty International message on the 'Conspiracy Of Hope' tour. Pat Singer joins them on the road.
Dave Grohl looks back on 20 years of playing music and talks about the birth of his daughter, the trapped Beaconsfield Miners and why Neil Young is his hero.
These days, Barry McIlheney is a major player in the world of London-based consumer magazines. He s been a guiding hand behind FHM, Q and Mojo, and has just launched a weekly entertainment magazine, Heat.
Jackie hayden meetsjournalist turned PR guru, Tony O Brien and speaks to him about his rock n roll adventures with the likes of U2, Michael Stipe and Bruce Springsteen.
They may be named after the cute and cuddly creature from Gremlins, but the noisefest Mogwai inflict on the eardrums is more like the after effects of nuclear fallout. John Walshe met them.
Mohammed Amin was the cameraman on Michael Buerk’s historic Ethiopian famine reports, which shocked Bob Geldof into founding Band Aid. Now, as head of Reuter’s African Bureau, he spends his time trying to correct the west’s distorted view of Africa and to show that there is more to life there than apocalyptic crises and starving babies. Interview: Bill Graham. Pix: CATHAL DAWSON
While the entity that is U2 continues to be the dominant focus in the creative lives of its four members, away from the band, Bono, The Edge, Adam and Larry have all indulged in extra-curricular activities, bringing them – and their music - into contact with such legends as Bob Dylan, Robbie Robertson, Keith Richards, and Roy Orbison, By Dermot Stokes
Over the hills and far away, Chumbawamba come out to play! They get knocked down. But they get up again. They get dropped by Indie One Little Indian, and then get signed up by Capitalist major EMI. Then the Tub-Thumpers Anonymous go on to score the most unlikely hit single of 1997. So what now for Alice Nutter and her chums? ANDY DARLINGTON reports.
Over the hills and far away, Chumbawamba come out to play! They get knocked down. But they get up again. They get dropped by Indie One Little Indian, and then get signed up by Capitalist major EMI. Then the Tub-Thumpers Anonymous go on to score the most unlikely hit single of 1997. So what now for Alice Nutter and her chums? ANDY DARLINGTON reports.
The Boomtown Rats came burning out of Dublin in the late ‘70s, railing against the Irish establishment to the audible gasps of the nation’s more conservative elements. With their remastered back catalogue having been recently reissued, Bob Geldof here looks back on a period of notoriety, controversy and personal angst, and also reflects on his ongoing efforts to highlight the issue of Fathers’ Rights. Interview by Peter Murphy. Photography by Mark Harrison.
We asked the fans to vote for U2's Greatest Hits and they did - in their thousands. The result is a selection of 20 tracks which, without doubt, would combine to produce a record to rank among the weightiest and most powerful anthologies in the history of rock. The full track listing is not without its controversial selections and omissions, however. Bill Graham and Niall Stokes take us through the fans' vision of the fab four's dream album.
From Dickie Valentine to The Darkness: Andy Darlington dusts the five decades of Christmas records and chats to Slade's Noddy Holder about his haunting ghost of Chris- singles Past.
Full profiles on Faithless, Antony & The Johnsons, Slayer, The Who, Bell X1, Status Quo, The Flaming Lips, 50 Cent, Madness, Christy Moore, Elton John and Lionel Richie.
OUT FROM BEHIND THE GREASE-PAINT THAT ADORNS HIS FACE ON THE COVER OF ‘SPIKE’, ELVIS COSTELLO EMERGES TO TALK ABOUT THE MUSIC THAT RUNS IN HIS FAMILY FROM BIG-BAND TO SPEED-METAL, HIS MUCH-TOUTED IRISH CONNECTION, WORKING WITH PAUL McCARTNEY, HIS CONTEMPT FOR MUCH OF TODAY’S POP MUSIC AND THE FEELINGS THAT INSPIRED HIS DEATH-WISH FOR MARGARET THATCHER.
Long before boomtime Ireland there was boomtown Ireland, a country where the national symbol was not a tiger but a rat. to coincide with the release of the best of the boomtown rats, Bob Geldof looks back to the tepid Irish scene of the mid-’70s from which the rats emerged, biting, snarling and laughing, to take on the establishment, Britain and, almost, the world.
It's head-scratching, nail-biting, on-the-tip-of-your-tongue time again, as GEORGE BYRNE presides over our renowned annual music quiz [this is for the year 2000]
With a new 'best of' bringing the band's story up to date U2's guitar man steps forward to riff on good times and bad, the private life of a public figure, discovering the secrets of the universe on mushrooms and why, after all these years, few things match the high of being a member of U2.
Special hotpress.com members edition: "director's cut" featuring interview sections unavailable anywhere else.
MIKE SCOTT once fronted the greatest rock n roll band in the world, but before the world got a chance to wake up to the fact he had gone west and invented raggle taggle. Now with a new Waterboys album, A Rock In The Weary Place, just released, Scott takes time out to reflect on his strange but true adventure. By PETER MURPHY
Annie Nightingale on BBC Radio One is Dance Music s fixture for insomniac clubbers. But for the BBC s first-ever female DJ this is just the latest incarnation of a career that began, sort-of, by insulting John Lennon. ANDY DARLINGTON reads the book, sits in on the show, and even finds time for an interview.
It’s a different world than it used to be! In this special extended birthday column, The Hog takes a necessarily selective – and typically colourful – look at the 30 most important influences on the process of change that has brought this country all the way from there to… well, where else but here?
If you’re Randy Newman you’ll also need a piano, some borrowed dominants and lashings of irony. And that’s just for starters. Joe Jackson hears about the private, public and musical lives of one of American music’s most singular talents.
In the magical, wind-swept landscape of Ireland's remote north-west the cameras roll as U2's Bono and Maire of Clannad make the video for their collaborative single "In A Lifetime". Bill Graham joins the entourage at work and at play and talks to the main protagonists.
For many people it is U2's greatest album. Twenty years on, to mark it's re-release, Colm O'Hare talks to Daniel Lanois and reflects on the extraordinary background to a monumental album.
IN THE FIRST PART OF A WORLD EXCLUSIVE INTERVIEW IN THE LAST ISSUE OF HOT PRESS, BONO UNVEILED THE NEW U2 ALBUM, SPOKE ABOUT ITS GENESIS IN CYBERPUNK LITERATURE AND THE BAND'S HUNGER TO PUSH ROCK'N'ROLL TO ITS LIMITS. HERE HE ELABORATES ON HOW U2 GO ABOUT WRITING THEIR SONGS AGAINST THE BACKGROUND OF GLOBAL CHAOS, HIS ARTISTIC REFERENCE POINTS OUTSIDE MUSIC, THE SUBVERSIVE POWER OF HUMOUR, AND HOW HE ADMIRES THOSE WHO 'PARTICULARLY AGGRESSIVELY' DON'T BELIEVE IN GOD. AND THEN THERE'S THE STORY ABOUT JOHNNY CASH AND THE EMU. CAN THIS MAN BE FOR SURREAL? INTERVIEW:JOE JACKSON.
Sex and sanctity, grit and glitter, penthouse and pavement, God and the Devil, and all conical points in between!
PETER MURPHY dials M for ADONNA, the pre-eminent pop icon of this and every other year
